SCIENCE FICTION BOOK REVIEW: "Timequake" by Kurt Vonnegut, Jr. (1997)

Republibot 3.0's picture

I’ve resisted reading this book for a long time. I’m not entirely sure why.

I first became aware of Kurt Vonnegut, by extension anyway, in 1977 or 1978. Star Wars was out, it was insanely popular, and as an aftermarket bonus, Science Fiction in general was insanely popular. As it was easier to produce books about SF than to actually write it, a whole slew of lavishly-illustrated books with titles like ‘The Road to Science Fiction’ and ‘Science Fiction Film History’ and ‘Speculative Cinematic Fiction’ and so on, all of which were pretty much just collections of stills from various movies, with just enough text to pad out the book to 100 pages. As SF was ‘kids stuff’ in those days, well-meaning parents with vague memories of Flash Gordon and Rocky Jones: Space Ranger simply bought these books for their kids without perusing them first. After all, SF is, what again? Monster movies and guys with swords and helmets that look like art deco gas pumps? Nothing bad there.

My parents, of course, did look at the books first, so I never got any. But at the Christian School I went to, my friends and I were scandalized by, but inexplicably compelled to look at pictures from A Clockwork Orange and Slaughterhouse Five, among others. This was undoubtedly my first exposure, third-hand though it was, to Vonnegut – sneaking peeks at nekked pictures of the beautiful Valerie Perrine in the lame movie version of Slaughterhouse.

None of us had any idea what the movie was about. Certainly the text never made it clear. The text never adequately explained what any of the movies were about, really, not in any of the books. My best friend at the time, said that it would probably make sense if you saw the movie. Yeah, but I’d seen Strangelove already, and it made no sense to me.

But I digress…

We all assumed based on our scant and incoherent knowledge of such things, we all assumed that Slaughterhouse Five must be a bad movie, undoubtedly based on a bad book by a bad author who was, undoubtedly a very bad man. Putting naked beautiful women in movies, why, who would do such a thing? The scandal to my virgin eyes! Yikes.

I remember Kurt’s name coming up from time to time, with no particular context aside from the vague unfavorable opinion of him. As a freshman in high school, I read “Harrison Bergeron” as homework during Gym, desperately trying to appear busy in the bleachers so as to avoid playing basketball. The gym coach, like all gym coaches, was a brutal little man with many issues, of which kids who read Vonnegut in the stands was just one. I got slammed square in the face with a basketball and ended up having to have two teeth filed down. I have many negative early associations with Kurt. For instance, I remember reading a magazine essay in which he babbled about how New York City was “Skyscraper National Park” in the waiting room of my dermatologist just prior to a particularly grueling session of leaching.

In fact, I never heard anyone say anything good about the guy until Kevin Bacon said “Slaughterhouse Five is a great book!” in the movie “Footloose,” for Pete’s sake.

Curiously, I made it more than

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Republibot 3.0's picture
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27 December 2008
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Oh, that's one of his best short stories, and easily his best-known one!

SmithCommaJohn's picture
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18 May 2009
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"...he'll follow an argument - frequently based on bad information, good intentions, and a shaky premise - and follow it out to it's logical conclusion, and then on beyond that in to total ludicrousness."

Kinda like illustrating the absurd with absurdity? I like that.

Sorry to give too little info. I was referring to the short story "Harrison Bergeron" in Monkey House.

Republibot 3.0's picture
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Monkey House is a series of short stories and essays, as I recall, but it's been 20 years or more since I read that one so my memory might be off.

What I like about Vonnegut is that he'll follow an argument - frequently based on bad information, good intentions, and a shaky premise - and follow it out to it's logical conclusion, and then on beyond that in to total ludicrousness. Then, with his next book, he'll do the same thing with a contradictory argument. He never claimed to know "The Truth" or even that there was just one version of "The Truth," which makes him a lot more engaging than most of his peers, particularly when he was on top of his game. (Which, alas, was less and less common as time wore on)

SmithCommaJohn's picture
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"...in Timequake, we’re told that Columbia University is now controlled by a gang of warlords."

Isn't it already? But the real ones have tenure.

I'm not an avid reader, but a friend who is a big Vonnegut fan was describing "Welcome to the Monkey House" and it sounded disturbingly similar to today's tyranny of political correctness. I am compelled to read more.

Republibot 3.0's picture
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Vonnegutt is, too, if we're honest. And actually, given their penchants for flashforwards, flashbacks, complicated asides and a deliberate nonlinear storytelling style make them kind of similar. But this book is a total failure on every level. Really, I think all he wanted to do was give a happy ending to Kilgore, the only scene in the book that feels thought out is the clambake at the end. But if that's all he wanted to do, he could have easily done it in a short story and saved everyone the trouble of suffering through his excursion to buy stamps.

I do honestly believe the point of this exercise was simply "This book is to show why I'm not writing any more - I've lost the knack." Oddly, though, I've just learned that he actually *was* working on a new book when he died. It was in the early stages, nowhere near completion, but still, that's weird.

Mike Kriskey's picture
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9 June 2009
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Your review reminded me of Joseph Heller's last book, "Portrait of the Artist, as an Old Man," except that I thought that book was a (moderate) success.

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