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ORIGINAL FICTION: "Yesterday Will Be Better"

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out of hand. We get involved in Vietnam, and that goes on forever, and we lose, and that sabotages all the social reform projects, the economy goes in the crapper, and of course that brings in the conservatives. That revives the economy, but it also destabilizes it, and internationalism effectively becomes dependent on any one of a zillion factors not going wrong. Granted, the cold war ended, but that just let a flood of missing nuclear weapons on the world….”

The woman got up without him knowing it and moved to the back of the bus. He rattled on. A new passenger sat down next to him.

“…which resulted in 9/11 and the even worse collapse of the economy, as well as increased tensions and of course the environmental damage I told you about keeps getting worse and worse, and all of that, all of that, all of that stems from the death of Kennedy. If he was in the right place in the right time, and if he hadn’t been shot, the world would be a much, much better place.”

“The president’s been shot?” the woman said. He turned to look at her. Once again, he didn’t realize she wasn’t the same one he’d started off the trip with.

“Oh, yes” he said.

“When?” she asked, frightened.

“Forty seven years ago, but it’s not going to happen until tomorrow.”

She got up and walked to the back of the bus, where two other women were pointing at Jerry, and motioning her to sit with them. He hopped up in the seat, and looked at her as she walked.

“But don’t worry,” he shouted, “I’m going to fix it!”

***

A lifetime of obsessive study had convinced him that there hadn’t been a conspiracy. There had never been a shortage of gun-toting whack jobs in American history. Linclon, Garfield, and McKinley had all fallen prey to twisted men working alone, and later today, Kennedy would be killed. Again. For the first time. The mission, then, was a simple one: Save Kennedy, save the world.

He spent the night in a motel, reveling in the overwhelming ‘sixtiesness’ of it, the look, the feel, the smells, all unlocking vaults of memories. He marveled at how bad the picture on the TV was, on how slow and boring the news coverage was, how prim everyone, even the liberals, seemed.

He checked out early, then, on a whim, checked back in, went to his room, and climbed out through a window. What did it matter? It’s not like his timeline was going to last much longer. If he pulled this off - and he had to pull it off - then the world would be on a different timeline, a different track. While six-year-old Jerry Weeks in Ohio would live a long, normal life, he’d never become the shambling mess that the fifty-three-year-old Jerry had become. He’d have a nice life, a nice family, a son that wouldn’t die in a pointless war, effectively a new future would be created in an instant, and as the circumstances that gave rise to Jerry’s madness would never have happened, that crazy 2010 iteration of Jerry would never have existed. He thought it was a nice gift to give himself, saving the world as a selfish gesture. He broke into hebephrenic laughter.

He got to the area that would eventually become infamously known as “The Grassy Knoll,” because, since there was no conspiracy, he knew that was the one place no one would be. He knew there were no cops anywhere near it. It was curious: the weather, the smell of the plants, the gasoline tang in the air, the sounds of the bugs buzzing, the street chatter, all faded from his mind the closer he came to the knoll. It was as if it was a fulcrum about which all the world spun; as if all the million-and-one details were being spun out of his mind by the numinous whirlpool of time itself, roiling and boiling beneath that spot.

He had a folding sniper’s rifle, and a modified camera tripod in his briefcase. He found a ridiculously open spot, but no one seemed to notice, and he looked at the Book Depository. He knew which window Oswald would be shooting out of. How could he not? It was burned into his brain, everyone’s brain who lived through that awful day, endlessly repeated on the news as the details started flooding out.

He patiently watched the window through the hunting scope, a really top of the line

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Republibot 3.0
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Hence my confusion

Heh heh. Hence my confusion!

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10000li
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Alt-timelines

I was referencing two other stories with alternate timelines caused when a character when back in time, but then I remembered that the Red Dwarf episode was nothing of the kind!

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Eh?

Eh?

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10000li
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"The Sound of Thunder" Red

"The Sound of Thunder"

Red Dwarf: "Back to Reality"

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Crazy Jerry's Wild Ride

Crazy Jerry's world *IS* ours. Exactly the same. He attempts to fix it, which makes things worse, so he goes back. An alternate version of him fixes the past, which results in our world, which resets the thing back to the original Crazy Jerry's world, which, once again, *is* ours.

I've never actually seen "Butterfly Effect," or any other Ashton Kuchner movie for that matter. It was inspired by one-too-many conversations with a guy who absolutely was certain of a conspiracy to kill JFK, because despite the fact that random crazy guys have killed presidents on two separate occasions, and tried on dozens, somehow *THIS* time it had to be a conspiracy.

I said, "Ok, so let's say it's a conspiracy. What if they had good reason?"
"What?"
"Well, if they went to all that trouble to bump off the president and keep it quiet for this long, they must have had good reason."
"Yeah, they wanted power."
"Doesn't make sense. If you can bump off a president and get away with it, you've already got all the power you could want before you do it. So what were they after? I mean, they must have thought things would be *worse* if they didn't kill him. Killing him must have been a last ditch effort to save the world, right? Maybe he was planning a nuclear preemptive strike on Swaziland or Lesotho or whatever, and LBJ knew the only way to stop that was to kill him...."
"That's ludicrous, JFK would never have launched a preemptive strike"
"That's just a random example of something hideous, not to be taken seriously. I could just as easily been a white slavery ring providing sex workers for space aliens..."

This went on for a while. The thing I took from it (apart from the fact that I'm funnier than your average paranoid person, which of course I already knew anyway) is that some people have a messianic addiction to the idea that the world they didn't get must always, always, always be better than the one they did, despite any kind of proof to the contrary.

Which kind of spiraled into this story.

While both Jerrys are tragic in separate ways, I don't actually see the story as a tragedy, I see it as a kind of horror story. Both of him are forever trapped in a hell of his/their own making, with no way out.

The Artist Formerly Known As Republibot 3.0

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What I get

What I read is that Crazy Jerry's world is just like ours, only a little bit worse, and that the consequence of Crazy Jerry going back again will be to make things even worse for Postapocalyptic Jerry, who will convince Crazy Jerry that he made a mistake. When we get to Saturday, June 26th, 2010. Five-forty PM, exactly, again, Obama will be president, but things will be just that much worse. etc.

Inspired by "Butterfly Effect" perhaps? If so, then as a tragedy, this story requires a resolution where Jerry realizes the only way to save the world is to do something to get himself out of the timeline. Alternatively, Jerry could gain some awareness of all the timelines and that each trip creates an even worse outcome than the one before, but he is unable to stop making the trips. That is the essence of tragedy: The protagonist is on a path that will lead to misery by is helpless to do anything about it.

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